Mumbai, India
Ananya Krishnamurthy is a Mumbai-based abstract painter who works primarily in oil on canvas. With over twelve years of professional practice, she has developed a signature style characterised by bold gestural marks and a deeply personal relationship with colour.
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A sustained meditation on the relationship between red and ochre across a large canvas. The work emerged from observations of evening light in Mumbai's Bandra neighbourhood.
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Part of the Interior Distances series, this work explores the idea of psychological space rendered through colour temperature and gestural mark-making.
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A smaller study investigating the dissolution of hard-edged form into atmospheric washes of colour.
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The largest work in the Painted Noise series, responding to the cacophony and visual density of Mumbai's streetscapes.
Reserved
Residue investigates what remains after the central gesture — the peripheral marks, the accidental passages, the parts a painter would usually paint over.
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